![]() van Ruysdael, Jacob van Ruisdael’s cousin who imitated his style. But in the mid-twentieth century it was decided that the second picture was by Jacob Salomonsz. The painting was once considered a pendant to a Waterfall by a Cottage in a Hilly Landscape: the two pictures had always been together, portrayed a similar subject and were the same size. But his friend Allart van Everdingen had been to Scandinavia in 1644 and returned with a number of drawings of the craggy mountains and waterfalls that became a source for van Ruisdael’s more dramatic images. For some time it was assumed that, since the Dutch landscape is almost uniformly flat, he must have visited a more mountainous country to give him such an abundant source for these pictures, although no record of such a journey has been found. The oak tree near them looks sturdy enough, hardly moving in the gathering storm, but a tiny oak sapling on the edge of the foam in the foreground is seemingly at the mercy of the torrent, part of its fragile trunk already broken and washed away.įrom the late 1650s onwards, van Ruisdael painted many views that included waterfalls. Norwegian spruce trees reach up into dark, threatening clouds that gather overhead. To the side of the cliff, he shows us the formation of the strata, layer on layer (incidentally giving the picture itself variation and interest). Further away beyond the bridge, the cliff face catches the sun, warming the lichen clinging to each block of stone. Van Ruisdael has painted the rocks in great detail: the tops of the closer ones in the water are razor sharp and craggy, becoming darker below, the edges more rounded where the water has worn them away. The rushing water turns an intense white where it foams over the stones and catches the sun. Another man trudges up the hillside path towards the house with his dog, little more than a speck of paint in the distance. The people on the bridge pause – one of them kneels, perhaps to pick something up, open to the elements, tiny and vulnerable. The water pounds against the bridge’s legs as it tumbles down between them. The slender trunks of the birch trees on the right are twisted and crooked, and the leaves turning yellow are ready to fall and be swept away by the water. We use a small group of artists where each and everyone have years of experience within their area of expertise.The tall chimneys of the house hidden among the trees seem the most stable things in van Ruisdael’s picture, holding on to the steep hillside that slides down towards the river. The paintings bought from us are of top quality and delivered ready to hang on the wall. This is a hand painted piece of art made on canvas by a skilled artist.Įvery painting is hand painted by our artists. Materials: Canvas stretched on wooden frame Art is an easy way to kickstart your imagination and mindset by actually just looking deep into a painting and let the mind wander off. A landscape, the ocean, a marine environment or a sailboat can also seem enchanting and create many inspiring feelings for the observer when looking at a piece of artwork. ![]() ![]() To use a flower or tree as design for an acrylic painting or an oil painting makes it easy to create a colorful and playful painting without creating a sense of the design to be unnatural in any way. Paintings of trees and flowers has always been popular with both artists and art lovers. When creating this painting, the artist has taken inspiraton from a waterfall.
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